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Propósito

Quiénes somos

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Propósito

 

Estamos decididos…

a impulsar, crear y mejorar

procesos y dinámicas de desarrollo económico

que pongan en marcha una colaboración efectiva entre los recursos públicos y privados de nuestra provincia. Aprovechar las posibilidades que brindan las Administraciones Públicas para que las empresas mejoren aquellos aspectos que son especialmente trascendentales para dibujar su futuro.

Con las actuales necesidades que tiene nuestra provincia, no podemos dejar pasar ninguna oportunidad de mejorar las condiciones de viabilidad tanto para el desarrollo de nuevas iniciativas de emprendimiento como para proyectos consolidados que necesitan un impulso económico para seguir desarrollando su actividad económica mejorando sus estándares de calidad.

 

Quienes somos

Career

Bio

After graduating from the prestigious Royal Academy of Music, Elías Arranz joined La Monnaie – CMRE Opera Studio in Brussels under the guidance of Mr. José Van Dam, and completed his vocal studies in 2014 with a Master in Opera. 2020 has seen Mr. Arranz’s debut at Wiener Konzerthaus as Atlante in the world’s première in modern times of Hidalgo’s Las Fortunas de Andrómeda y Perseo. Before Covid crisis he also performed Rossini’s Petite Messe Solennelle at the magnificent Gaudi’s Palau Güell in Barcelona. The opening of season 19-20 included the haendelian roles of Melisso and Argante in Switzerland, Messiah in Auditori de Barcelona and Girona, as well as Papageno at Gran Teatre del Liceu. Also in 2019, Mr. Arranz was back to Halle Händelfestspiele, and made his debut as Sulpice (Donizetti, La fille du Régiment/Andorra Lírica) and Germont (Verdi, Traviata/Como).
Mr. Arranz has already made his debut in Théatre des Champs Elysées in Paris, as Lesbo (Händel, Agrippina) with Ann Hallenberg, Vivica Genaux, Carlos Mena and “Al Ayre Español” conducted by Eduardo López Banzo. In spring 2018, he performed for the first time at Halle Händelfestspiele, as Marte in Il Parnasso in festa with Lautten Compagney and Wolfgang Katschner.  

En Other performed operatic roles include Marcello (Canada/Spain), Belcore (Italy, Spain), Escamillo (Prinzregententheater, München), Conte d’Almaviva in Le Nozze di Figaro (Germany/Spain), Papageno (UK/Spain) or Uberto (Festival de l’Été Mosan, Belgium.
On the concert platform, Mr. Arranz is increasingly in demand. He’s sung Bach’s main oratorios under conductors such as Trevor Pinnock, Juan José Mena or Klaas Stok, among others. He has performed as a soloist in concert halls and festivals in the UK, Belgium, Germany, Austria, Switzerland, Italy, Netherlands, Portugal, USA, Spain, France and Mexico with repertoire ranging from the early baroque to world premieres by living composers.
Forthcoming engagements for season 20/21 include the role of Daedalus from Dove’s The Monster in the Maze in the new production of Gran Teatre del Liceu directed by Paco Azorín, a European Tour as Melisso in Haendel’s Alcina, or Mozart’s Requiem with Camera Musicae Orchestra and Salvador Mas, among other projects.

this is my

Repertoire

operatic

Repertoire

concert-oratorio

Repertoire

media

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Enjoy some of my recordings, I hope you like them.

Some

Reviews

“Elias Benito-Arranz took charge of several roles, such as Dux, very professionally with talent and a good voice”.

Ópera Actual Magazine, La Dogaresa, Teatro de la Zarzuela, Madrid, May 2015.

“Elias Benito-Arranz (also as Guest) sang a robust Escamillo without cockiness”.

Münchner Merkur Carmen, Prinzregententheater München, Feb.2016

 

Contact

Phones

+34 686144817 +49 17685126393

Personal Contact

Fill the form or send me an email to contact@eliasarranz.com  

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